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How To Make Album Art For Free Without Using Generative AI
So you’ve got an album or an EP or a single you’ve been slaving over and it’s ready for release, except you need one thing: artwork. That’s a stressful place to be if you…
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The Recreant – The Code is V… Outlive The Code (2026) | Album Review
Recently I was chatting with a friend who I don’t see often enough. We had just eaten Italian sandwiches the size of our heads and were sprawled out across a couple couches in my…
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How To Be An Audiophile When You Like Music That Sounds Like Shit | Part 1: Intro
Woof. Okay, let’s kick a couple hornets’ nests, I guess. “Audiophile” is a dirty word in some most circles. It conjures images of 60 year old lawyers with more money than should be allowed,…
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Teitanblood – From the Visceral Abyss (2025) | Album Review
I hate Metal Promo™️ lingo, and I will do my utmost best not to succumb to describing how any particular album’s “whirring chainsaw guitars will eviscerate you” or “necromantic wails from beyond the grave…
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Resthaven – Lunarwave (2025) | Album Review
I’m a relative newcomer to the Ontario metal underground. I’ve been a fan of metal for closing on two decades, but not until World Eaters began playing live did I really start engaging with…
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Intro (Remastered)
Florida, 1999 — An evergreen truth was spoken. “Everything is fucked, everbody sucks.” The world feels more overwhelming than ever. Lives and communities are being crushed under the boots of fascism and late-stage capitalism…
Discs of Auspicious Vision 